| Idlewild | |
|---|---|
Idlewild performing at King Tut's Wah Wah Hut, December 2008. |
|
| Background information | |
| Origin | Edinburgh, Scotland |
| Genres | Alternative rock Indie rock Post-Britpop |
| Years active | 1995–present (hiatus) |
| Labels | Cooking Vinyl (2009-present) Sanctuary (2006-2007) Pye (2006) Parlophone (1998-2005) |
| Associated acts | DeSalvo, Strike the Colours, The Reindeer Section, Astrid, Degrassi, Turn, Paper Beats Rock, Vega 4 |
| Members | |
| Roddy Woomble Rod Jones Colin Newton Allan Stewart Gareth Russell |
|
| Past members | |
| Gavin Fox Alex Grant Bob Fairfoull Jeremy Mills Phil Scanlon |
|
Idlewild are a Scottish rock band, formed in Edinburgh, in 1995, comprising Roddy Woomble (lead vocals), Rod Jones (guitar, backing vocals), Colin Newton (drums), Allan Stewart (guitar) and Gareth Russell (bass). To date, Idlewild have released six full-length studio albums, with their latest, Post Electric Blues, self-released to fans in June 2009.
Initially, Idlewild's sound was faster and more dissonant than many of their 1990s indie rock contemporaries. However, it developed over time from an edgy and angular sound (as heard in their early material—once described by the NME as "the sound of a flight of stairs falling down a flight of stairs"[1]) to a sweeping, melodic rock sound as displayed on The Remote Part and Warnings/Promises. While Idlewild's sound cannot be easily placed into a specific genre, they have clearly been influenced by the likes of: Gang of Four, Pavement, R.E.M., Blur and Fugazi.
Part of Idlewild's early success can be attributed to their singles gaining heavy rotation on Steve Lamacq's Evening Session on BBC Radio 1. Alongside his all-round endorsement of the band, Lamacq often cites them as one of his favourite bands.
In April 2010, vocalist Roddy Woomble announced that the band will enter a 'hiatus' following their current tour.[2] However this was proved to be a misunderstanding of sorts with Woomble later going on to suggest that there would be further shows before the end of 2010 in support of the EMI re-release of "100 Broken Windows".[3]
Contents |
Idlewild, named after the quiet meeting place in Anne of Green Gables, formed in December 1995 in Edinburgh, Scotland when a 19 year-old Roddy Woomble met drummer Colin Newton at a party. The two discovered that they had much in common, including similar musical interests and record collections. By the end of the night, they had discussed forming a band together. On the same night, the two were introduced to guitarist Rod Jones and the three kept in contact afterwards, meeting up to listen to music. Soon, the trio began writing songs together, and, in need of a bassist, they brought Phil Scanlon into the fold, due to the fact that he owned a bass guitar.
Idlewild played their first show on 16 January 1996, at the Subway Club in Edinburgh to a crowd of thirty friends, which led to many more shows around Edinburgh throughout the course of the year. In May, 1996 the band, now with over twenty songs written, entered Split Level Studios to record. The tape of these recordings earned the band many bookings at various venues around Scotland, including Glasgow. Local publications that heard the tape reviewed it favorably.
Phil Scanlon decided to leave the band in February, 1997 to concentrate on his studies. Since leaving Idlewild, he has become a highly successful chemical engineer and currently resides outside San Francisco. Woomble asked Bob Fairfoull to replace the departing bassist. Fairfoull had been present at every Idlewild show since the summer of 1996, and had impressed the others with his spoken-word, solo acoustic shows as well as his performances with Edinburgh band, Pussy Hoover. Fairfoull's debut with the band took place on 28 February at Glasgow bar, Nice N' Sleazy's.
The band's debut single "Queen of the Troubled Teens" was released on 17 March 1997, and built upon the chaotic reputation of their shows. Along with 'Self Healer', 'Satan polaroid' and 'A Film For The Future', the song was included in a live session on Jeff Cooper's show 'XS' (now Radio2XS) on Sheffield's Hallam FM. It was also supported by BBC Radio Scotland DJ Peter Easton, and influential Radio One DJ Steve Lamacq. Lamacq was particularly impressed with the track "Self Healer" and asked, on the air, that if anyone knew anything about the band, they should contact him. In the summer of 1997, Idlewild played their first London shows which were attended by the likes of Lamacq, and representatives from Deceptive Records. Reviews at this time, in the pages of NME and Melody Maker compared their live gigs to "a flight of stairs falling down a flight of stairs". The band were soon asked to record a single for Fierce Panda and to record an EP/mini-album with Deceptive Records. In October 1997, the band spent six days with producer Paul Tipler in South London. The result was Captain, which the band describes as "an innocent, frank nugget of noise pop magic". After the release of the "Chandelier" single, the band signed a deal with Food Records/EMI in December. Following the record deal, the members quit their respective jobs or university courses.
1998 marked the year where the public became actively aware of Idlewild, who kicked off the year with their first UK tour, supporting the band Midget. The release of Captain, on January 18, received positive reviews in the NME, Melody Maker and Kerrang!. In February the band re-entered the studio, once again with Paul Tipler to record their first full-length album for Food Records. Two singles were released before the album's release, "A Film for the Future" (compared to "Smells Like Teen Spirit" by one journalist) and "Everyone Says You're So Fragile". Both singles helped to expand the band's growing fanbase alongside notable appearances at summer festivals. October marked the arrival of their debut album Hope Is Important which the band now describes as "a confused, skewered, noisy, sad pop record". Further singles from the album included, "I'm a Message" and fan favorite, "When I Argue I See Shapes". Tours supporting Ash, Placebo and Manic Street Preachers followed the release.
Idlewild eventually returned to Edinburgh in 1999 to begin writing new songs, and contacted engineer Bob Weston, from Chicago, who recorded six songs with them in London. These songs held a more aggressive, emptier sound than those previously, and the band were pleased with the results; however, they remained unsure of their direction. During the summer, Idlewild were invited to play at the opening of the Scottish Parliament in Edinburgh, a momentous day for Scottish history. Scotland is where the band would remain for a while, letting the surrounding environment influence their songwriting and letting the songs represent the band as they were. Hitting a stride, the band returned to the studio with producer Dave Eringa and recorded "Little Discourage" and "Roseability" in their first session. Very happy with the results, the band continued to record what would become their second full-length album, 100 Broken Windows. The song "Little Discourage" was released in September and brought Idlewild a larger fan-base and much more radio play. Hope Is Important was released in America, and to support it, the band performed a small number of tour dates on the East Coast. The remainder of the year was spent mixing the new album in Glasgow.
In March the following year, the band released "Actually it's Darkness" and embarked on their biggest UK tour to date. Jeremy Mills joined the band on tour, playing guitar and keyboards. Their sound had now evolved from simplistic punk-rock to a more mature sound resembling R.E.M., Echo & the Bunnymen, and The Smiths. 100 Broken Windows reached silver status in the UK and the band went on tour in Europe and North America. Further singles released from the album included "These Wooden Ideas" and "Roseability".
As 2001 began, the band entered the studio once again, this time with producer Stephen Street to record songs written in the last half of 2000. While happy with the results the band put their next album aside to tour America. American music magazine Spin named 100 Broken Windows the "number one album you didn't hear in 2000" and the album received other rave reviews in the American press on its release in April. Whilst touring the album in America, Allan Stewart replaced Jeremy Mills as touring guitarist. Readers of The Skinny magazine in Scotland would retrospectively vote 100 Broken Windows 'The Scottish Album of the Decade' in December 2009.
Idlewild eventually moved up to the highlands of Scotland and began the writing and demoing process of what would become The Remote Part. Both Allan and Jeremy joined the band in a cottage in Inchnadamph, Sutherland. Woomble began a friendship with Scottish poet laureate Edwin Morgan who would eventually end up on the song "Scottish Fiction," the album's closing track. The remainder of the year was spent recording and mixing the album in various locations with producer Dave Eringa. This period marked the band's longest absence from performing.
The first single from the album, "You Held the World in Your Arms", became 'A-listed' on Radio One and entered the UK Singles Chart at number nine, marking the band's biggest hit to date. A UK tour followed with Ikara Colt supporting and a second single, "American English", was released. On release, The Remote Part entered the album charts at number three, and was considered a record of considerable depth, as well as one of the most melodic records of the year. The album went gold in the UK and a third single, "Live in a Hiding Place", was released as the band embarked upon a four-month European tour in September, which included supporting dates with Coldplay.
On 29 September, Bob Fairfoull left the band, following a show in Amsterdam. Fairfoull had become increasingly distant from the band over the past year. The band and Fairfoull remain friends, and Bob now plays bass with Edinburgh-based band Degrassi and Paper Beats Rock. Longtime Irish friend, Gavin Fox, joined the band as his replacement, while touring guitarist, Allan Stewart, became a permanent member of the band. While Fox learned his parts in Dublin, technician and friend Alex Grant filled in to assist the band.
2002 was Idlewild's most successful year, with The Remote Part entering many 'Best of the Year' lists.
With Gavin and Allan officially in the band, Idlewild spent January of the following year writing songs and practising in an old lighthouse outside Edinburgh. A final single from The Remote Part, "A Modern Way of Letting Go", introduced the new lineup to the UK via several television appearances and another short tour of Britain and Ireland.
The Remote Part received its US release in March 2003 and the band embarked upon a cross-continent, nine-week headline tour playing their biggest US shows in New York City and Los Angeles. The band then returned to America in May at the request of Pearl Jam, who asked the band to open one leg of their Riot Act world tour. These were the biggest venues Idlewild had played in, and they found friends in Pearl Jam, even playing with them onstage on the final night in Chicago. Subsequently, in June 2007 Pearl Jam requested Idlewild to support them for a one-off date at Wembley Arena.
The band then returned to Scotland to reflect upon the year, and soon headed for a house in Glenelg in the Scottish Highlands to start working on songs for the next record. Writing continued intermittently until early December (pausing only to open for The Rolling Stones in September at Glasgow's SECC).
As 2004 began, Idlewild spent the first four months of the year writing and demoing new songs up in the Scottish Highlands, and in Roddy's flat in London. The band chose to work with American producer Tony Hoffer and flew out to Los Angeles and spent the next three months recording and mixing the new songs. This marked the first time Idlewild had recorded an album all in one go.
The band finished up the record in October 2004, in New York with mixer, Michael Brauer. Roddy rented a room on the Lower East Side and stayed there for the remainder of the year, listening to the album they'd just made. 2004 became the first in the band's existence devoted almost entirely to writing and recording an album. At the end of this year they titled it Warnings/Promises.
2005 began with a series of acoustic shows around the UK. The first single from Warnings/Promises, entitled "Love Steals Us from Loneliness", appeared in February and became Idlewild's fourth Top 20 single. The album followed two weeks later and debuted within the UK Top Ten. Warnings/Promises received mainly positive reviews; however, some critics and fans disliked the band's direction with this album.
In the UK, the band embarked upon an extensive UK tour, changing the setlist every night and revisiting songs from each of their albums. In the summer, Idlewild played a number of festivals and opened shows for U2, R.E.M. and the Pixies. The year ended with a Christmas show at the band's "spiritual home", famed venue the Glasgow Barrowlands.
In November, the band announced that they had parted ways with their record company Parlophone after fulfilling their contractual obligation over eight years, leaving them without a record deal. However, despite rumors that they were breaking up, the band claimed that they were looking forward to the future.[4][5]
After their December Barrowlands gig, Gavin Fox left the band and was replaced by former Astrid bassist Gareth Russell.
In July 2006, Roddy Woomble released an album of folk music under his own name titled My Secret is My Silence. Woomble's solo material was written alongside Rod Jones, friend Michael Angus and folksinger Karine Polwart, and produced by folk musician John McCusker. Roddy toured the album in July and August. Rod Jones meanwhile worked on an album with Inara George called George Is Jones
The band spent spent many months writing new material, which was recorded with 100 Broken Windows and The Remote Part producer Dave Eringa in their rehearsal room.
In July 2006, it was announced Idlewild would sign to 1960s label Sequel, which was reactivated by music group Sanctuary.
The album Make Another World was released on March 5, 2007. "If It Takes You Home" was the first single released from it and was available as a download and 7" single. "No Emotion" was the second single released; it went to #36 in the UK Top 40 chart. "A Ghost in the Arcade" was the next single, released on 18 June, though only as an internet-downloadable track and not available on physical CD.
At the 19 March 2007, Aberdeen concert on the Make Another World UK Tour, Woomble announced the show was being filmed for a live DVD release (included with special edition of the band's greatest hits album Scottish Fiction - Best of 1997-2007). The band played a twenty-three song setlist which included a considerable number of songs from earlier albums such as Hope is Important. It was at this gig that the video for "A Ghost in the Arcade" was filmed.
During their 16 May gig in The Liquid Room, Edinburgh, Woomble announced an Idlewild 'Greatest Hits' compilation would be released later in the year at the request of former label Parlophone. Scottish Fiction - Best of 1997-2007 was released on 1 October 2007 by Parlophone and is a 17 track 'best of' compilation featuring career highlights, and includes the aforementioned DVD.
A second compilation album was also released on 29 October. A Distant History - Rarities 1997-2007 included the band's early singles as well as many B-sides and was available only through download stores.
In November 2007, writing on the band's MySpace site, Woomble denied rumours Idlewild would split, instead stating that they would shortly be beginning work on their seventh studio album.[6] In 2007 the band played at Edinburgh's hogmanay celebrations and won the best festival act award at the Tartan Clef awards. The band continue to play more gigs while working on their next album. Meanwhile, Woomble has been writing a column for Scottish newspaper The Sunday Herald and released an album with Kris Drever and John McCusker, entitled Before the Ruin, in September 2008.
In December 2008 the band played five shows at King Tut's Wah Wah Hut, playing each of their studio albums in full. Roddy Woomble noted that the band "are going to try to play every track [they've] ever written - including B-sides - which has to be more than 100 songs."[7] In February 2009, they announced that they would be staging a similar residency at Dingwalls in Camden, London.[8]
A new song, "City Hall", has appeared in a recent setlist, and the band entered the studio in January 2009.[9] On his online diary, Roddy Woomble notes that he has: "been trying to work on lyrics for the new Idlewild record. At the moment it has the possibility of being about anything, so I've been trying to narrow that down a bit. I've been re-reading Jack Kerouac's novels and following this US election, and keeping up with all the new US groups, so maybe it'll take on a Stars and stripes theme. It'll probably end up being about mountains and Islands though."[9]
A further post read: "I've also been whittling away with the rest of the band in our very cold practice space on songs for the new album. Sometimes having no heating actually makes everyone work harder (the temptation to sit around chatting over coffee and cakes is never far away) but then other times I really just wish that we had it, because it's a big old room and it's freezing. We have about twelve good tunes now, but are planning on having fifteen by the time we head into a recording studio in February (which has now been booked). I imagine that they'll all be pulled into a different shape by the time they make it onto a CD or LP, but that's part of the interesting process of writing songs."[9]
On 21 November the band sent an email to fans on the mailing list offering them a chance to preorder the new album (along with "exclusive packaging & including at least one bonus track") to be "shipped within weeks of completion". All fans who bought the album this way will also have their name appear in the CD booklet and on a roll call on the band's official website. The band explained their reasoning behind this in the email, where they said:
"After 11 years of recording and releasing records within the constraints of the record industry we now feel that the time is right and the technology exists for us to deal more quickly and directly with the fans. It also allows us total control of our music and will ultimately mean that should you choose to get involved you will hear our music as soon as it is available. Although the album will have a more traditional release some time later in 2009 we hope you will support us in our efforts to try something new and choose to pre-order the album now."
On May 9, 2009, Roddy confirmed in his online diary that the new album will be entitled Post Electric Blues.[9] The album was performed in full on May 19.[10]
Initial emails indicated a release date to fans who had pre-ordered the album of mid-April, but the album was eventually mailed out on June 10, 2009. Fans who pre-ordered the album were also allowed to download their choice of live tracks that the band had recorded at the King Tut's series of shows. The album was officially released in October, preceded by the single "Readers & Writers".
Rod Jones released his debut solo album, A Sentimental Education, in April 2010. Roddy Woomble has also confirmed that he is writing a new solo album.[11]
In April 2010, Roddy Woomble announced that the band will enter a hiatus following the band's current tour in support of Post Electric Blues.[2] However this comment only referred to the writing and recording of new material as Woomble later suggested[3] Idlewild announced their first American tour since 2005 and a short UK tour in support of the EMI re-release of "100 Broken Windows", during the UK shows (as well as a New York and Los Angeles show) the album will be played in its entirety. The 100 Broken Windows reissue was released on November 8, 2010 and featured a second disc of B-Sides and unreleased material.
| Year | Details | Peak chart positions | Certifications (sales thresholds) |
||
|---|---|---|---|---|---|
| UK [12] |
FRA [13] |
IRE [14] |
|||
| 1998 | Captain1
|
—2 | — | — | |
Hope Is Important
|
53 | — | — | ||
| 2000 | 100 Broken Windows
|
15 | — | — |
|
| 2002 | The Remote Part
|
3 | 135 | 39 |
|
| 2005 | Warnings/Promises
|
9 | — | 50 |
|
| 2007 | Make Another World
|
24 | — | 100 | |
| 2009 | Post Electric Blues3
|
90 | |||
| Year | Details | Peak chart positions | Certifications (sales thresholds) |
||
|---|---|---|---|---|---|
| UK [12] |
FRA [13] |
IRE [14] |
|||
| 2007 | Scottish Fiction - Best of 1997-2007
|
79 | — | — | |
A Distant History - Rarities 1997-20071
|
— | — | — | ||
| 2010 | The Collection
|
— | — | — | |
| Year | Title | UK [12] |
IRE [14] |
Album |
|---|---|---|---|---|
| 1997 | "Queen of the Troubled Teens"[A] | — | — | — |
| "Chandelier"[A] | — | — | ||
| 1998 | "Satan Polaroid" | 160 | — | Captain |
| "A Film for the Future" | 53 | — | Hope Is Important | |
| "Everyone Says You're So Fragile" | 47 | — | ||
| "I'm a Message" | 41 | — | ||
| 1999 | "When I Argue I See Shapes" | 19 | — | |
| "Little Discourage" | 24 | — | 100 Broken Windows | |
| 2000 | "Actually It's Darkness" | 23 | — | |
| "These Wooden Ideas" | 32 | — | ||
| "Roseability" | 38 | — | ||
| 2002 | "You Held the World in Your Arms" | 9 | — | The Remote Part |
| "American English" | 15 | — | ||
| "Live in a Hiding Place" | 26 | — | ||
| 2003 | "A Modern Way of Letting Go" | 28 | — | |
| 2005 | "Love Steals Us from Loneliness" | 16 | 37 | Warnings/Promises |
| "I Understand It" | 32 | — | ||
| "El Capitan" | 39 | — | ||
| 2006 | "If It Takes You Home" (download-only) | — | — | Make Another World |
| 2007 | "No Emotion" | 36 | — | |
| "A Ghost in the Arcade" (download-only) | — | — | ||
| 2009 | "Readers & Writers" (download-only) | — | — | Post Electric Blues |
| "City Hall" | — | — |
|
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